alan 100%america: 2009

miércoles, 15 de abril de 2009

THE NUMBERS

1 one 11 eleven 30 thirty
2 two 12 twelve 40 fourty
3 three 13 thirteen 50 fifty
4 four 14 fourteen 60 sixty
5 five 15 fifteen 70 seventy
6 six 16 sixteen 80 eighty
7 seven 17 seventeen 90 ninety
8 eight 18 eightteen 100 one hundred
9 nine 19 nineteen 1000 one thousand
10 ten 20 twenty 100, 000 one million

FAMILY MEMBERS

Padre - Father
Madre - Mother
Hermano - Brother
Hermana - Sister
Abuelo - Grandfather
Abuela - Grandmother
Sobrino - Nephew
Sobrina - Niece
Primo - Cousin
Prima - Premium

martes, 14 de abril de 2009

MONTHS OF THE YEAR

Enero - Januery
Febrero - February
Marzo - March
Abril - April
Mayo - May
Junio - June
Julio - July
Agosto - August
Septiembre - September
Octubre - October
Noviembre - November
Diciembre - Dicember

DAYS OF THE WEEK

Lunes - Monday
Martes - Tuesday
Miercoles - Wednesday
Jueves - Thursday
Viernes - Friday
Sabado - Saturday
Domingo - Sunday

BEACH

GLACIER

FOREST

JUNGLE

DESERT

COLORS

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The Robin Hood legend
The stories relating to Robin Hood are apocryphal, verging on the mythological. His first appearance in a manuscript is in William Langland's Piers Plowman (1377) in which Sloth, the lazy priest boasts "I ken (i.e. 'know') 'rimes of Robin Hood."
Robin Hood was a peculiar outlaw. He stole from the rich and gave to the poor as we all know. Dressing up as Robin Hood or one of his Merry Men would make fantastic costumes for a theme party. With a stretch of the time renaissance costumes could be used to conjure up Maid Marion, Friar Tuck, Little John (better use plus size costumes) and all the inhabitants of Sherwood and Nottingham. Theme parties are such a great time for those who enjoy re-enacting the days of yore!
The first historical mention of Robin Hood is in a passage of the "Scotichronicon," written partly by John Fordun between 1377 and 1384, and partly by his pupil Walter Bower, about 1450, who largely interpolated the work of his master. Among his interpolations, is a passage translated as follows. It is inserted immediately after Fordun's account of the defeat of Simon de Montfort, and the punishments inflicted on his adherents:
"At this time, [sc. 1266,] from the number of those who had been deprived of their estates arose the celebrated bandit Robert Hood, (with Little John and their accomplices,) whose achievements the foolish vulgar delight to celebrate in comedies and tragedies, while the ballads upon his adventures sung by the jesters and minstrels are preferred to all others."
"His death is stated by Ritson to have taken place on the 18th of November, 1247, about the eighty-seventh year of his age; but according to the following inscription found among the papers of the Dean of York, and quoted from the Appendix to Thoresby's Ducatus Leodiensis, by Mr. Gutch... the death occurred a month later. In this inscription, which bears evidence of high antiquity, Robin Hood is described as Earl of Huntington - his claim to which title has been as hotly contested as any disputed peerage upon record.
Hear undernead dis laitl steanLais Robert Earl of HuntingtunNear arcir der as hie sa geudAn pipl kauld im Robin HeudSic utlaws as hi an is menVil England nivr si agen. Obiit 24 Kal Dekembris 1247"
Printed versions of Robin Hood ballads appear in the early 16th century — shortly after the advent of printing in England. In these ballads, Robin Hood is a yeoman which, by that time, meant an independent tradesman or farmer. It is only in the late 16th century that he becomes a nobleman, the Earl of Huntington, Robert of Locksley, or later still, Robert Fitz Ooth.
His romantic attachment to Maid Marian (or "Marion") (originally known as Mathilda) is also a product of this later period and probably has something to do with the French pastoral play of about 1280, the Jeu de Robin et Marion. Aside from the names there is no recognizable Robin Hood connection to the play.
The late 16th century is also the period when the Robin Hood story is moved back in time to the 1190s, when King Richard is away at the crusades. One of the original Robin Hood ballads refers to King Edward (Edward I, II, and III ruled England from 1272 to 1377). The idea of Robin Hood as a high-minded Saxon fighting Norman Lords originates in the 19th century, most notably in the part Robin Hood plays in Sir Walter Scott's Ivanhoe (1819) where the familiar modern Robin Hood — "King of Outlaws and prince of good fellows!" Richard the Lionheart calls him—makes his debut.
The folkloric Robin Hood was deprived of his lands by the villainous Sheriff of Nottingham and became an outlaw. The Sheriff does indeed appear in the early ballads (Robin kills and beheads him), but there is nothing as specific as this allegation. Robin's other enemies include the rich abbots of the Catholic Church and a bounty hunter named Guy of Gisbourne. Robin kills and beheads him as well. The early ballads contain nothing about giving to the poor, although Robin does make a large loan to an unfortunate knight.
In the ballads, the original "Merry Men" (though not called that) included: Friar Tuck, Will Scarlet (or Scathlock), Much the Miller's Son, and Little John — who was called "little" because he wasn't. Alan-a-Dale is a later invention in Robin Hood plays.